Releases

FETISH ASSAULT 6: SACRAMENT

We are very excited to announce the newest addition to our Fetish Assault series: Fetish Assault VI – Sacrament, a collection of original cues and derivative works featuring custom vocal sound design. Composer/sound designer Kathie Talbot combines her signature approach to sound design with chilling original vocal recordings in this evocative release crafted for psychological

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ASUNDER

As an embodiment of its namesake, Asunder is the first in a series of releases that features a sectional structure approach which can easily be adapted to advertising campaigns of any duration. Volume I is a horror-centric release crafted from custom recordings of uniquely terrifying string elements, and is accompanied by a sound design toolkit.

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CONJURE VOL. II

Crafted from custom recordings of the Balkan Gusla, Russian Balalaika, Bulgarian Tambura, Bulgarian Bagpipe, Irish Flute, and the Armenian Duduk, the highly anticipated second volume of CONJURE lives up to its namesake with over 200 spine chilling sound design elements in a variety of categories. This toolkit is packed with one of a kind signature

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SACRIFICIAL CHANTS

Sacrificial Chants is a terrifying new addition to our growing collection of horror albums featuring eerie vocalizations, jarring organic string gestures, and haunting signature sound design. The first track off this album, “Listen and Run” will tell you everything needed to know about what follows — spine-chilling twisted fantasies, perfect for horror campaigns.

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RAID: RAGE

Signature war horns from the distant future, earth-shattering impacts scattering shrapnel, and distant rumbles approaching at mind-bending speeds… Robert Dudzic has imbued these epic tension building cues with his signature approach to sound design, and the result is nothing short of remarkable. RAGE is packed with unique signature sound design, anxiety-inducing builds, and climactic finishes.

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OMEN VOL. II

Foreboding hits, pulse-pounding tension builds, and eerie calls summoning you from the edge of darkness… OMEN Vol. II has us at the edge of our seats sweating bullets. This highly anticipated second volume of OMEN is a dark tension building album featuring uniquely chilling sound design carefully crafted from custom recordings of organic string and

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CONJURE

Crafted from custom recordings of the Zither, African Kora, Bulgarian Bass Tambura, Bulgarian Gadulka, and the Chinese Guzheng, CONJURE lives up to its namesake with over 300 spine chilling sound design elements in a variety of categories. This toolkit is packed with one of a kind signature sounds, organic risers, unique articulations, and evocative string

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REVERIES

Modern articulations, lush orchestral textures, pulse pounding string runs, and epic thematic builds. From quirky and fun to dark and brooding, REVERIES features neoclassical cues in a variety of styles perfect for period piece, fantasy, and action campaigns — BPM and key ready.

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Antlers

From composers Jacopo Cicatiello and Tihomir Hristozov (The Black Phone, Nope, A Quiet Place Part II, Candyman, etc), ANTLERS is a terrifying new addition to our growing collection of horror albums, with a ritualistic twist. Featuring signature sound design crafted from custom recordings of Aztec flutes, death whistles, war trumpets, ancient horns and other highly

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ODDITY

We’ve teamed up with legendary sound designer Bryan Apple for the ODDITY release, a sci-fi sound design toolkit packed with signature glitch fx, quirky combination fx, signature impacts, risers, downers and more. From hovering spacecraft and glitchy droids to warp-speed acceleration tearing through space-time and more, ODDITY has an incredible range of applications that bring

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Transitions (Percussive Toolkit)

From composers Jacopo Cicatiello and Mervin Mathew (Doctor Strange, Dune, Black Widow, The Black Phone, A Quiet Place Part II, etc), TRANSITIONS is a highly versatile toolkit featuring exhilarating, climactic, pulse-pounding percussive transitions. Each element is available in a variety of BPM and blends seamlessly with any surrounding tonal center, making for a range of

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